Real estate for museums, collectors and foundations
As a thought in the brain and transform into thought paths and insights.
To enter into the thoughts of other people as thoughts in the world culture head of the art epochs and the innovations of peoples and artists with own thoughts, to change his own innovative thoughts with the creative thoughts of the peoples in a changing way and to supplement and change themselves by knowledge change. The exhibition walls of the museum guarantee through their novel movable arrangement of these walls, that each exhibition gets a new way according to the concept of the sandpit and the brain, which tempts the museum visitor to follow a new neuronal concept with the world formula for each art exhibition, in order to encounter new insights again and again.
The partially transparent glass roof construction of the museum enables the outside observer to recognize the different colored light of the museum roof, because through the always new paths of knowledge of the art exhibitions (with their movable walls) with always new connections of the works of art, like the images in the brain of the human being, each shine in a new light.
The museum was designed by Dieter Liedtke as a skullcap with a glass construction as a head rising out of the ground and inside the museum as a sandbox model.
The concept is supported by the development of a new window construction for the roof. The new glass construction allows a variable incidence of light with climate control for the works of art and with independent renewable energy production for the museum (for explanation, the brain sandbox model on the development of creativity, which serves as a planning template and concept for the museum on campus). This model, which illustrates the permanent process of how connections form in the brain, was confirmed in 2000 by the award of the Nobel Prize in Medicine to Eric Kandel).
The Código Universo to promote creativity in the exhibition art open
The mysticism of our culture is decoded on the basis of 1,000 original works of art, and so the decoding of creativity in the works and the equality (through understanding) of artwork and viewer not only 1000 times but millions of times (as brain research proves through studies on the formation of synopses and axons) of new neural network branches and nerve paths for ideas and creativity through knowledge transfer, the creative intelligence manifested in the works is transferred to the viewer (the mirror neurons discovered only in the 90s prove this connection).
As a result of this improved neuronal network structure, with a higher network density, the increase in creative intelligence, the development of personality, new joie de vivre and curiosity can be registered as the basis for the development of motivation through cognition in the exhibition visitor.
Every art open - Código Universo exhibition is a world premiere, it democratizes the arts and creativity.
In an unprecedented compilation, the works document the revolutionary art, creativity and innovation and their significance for our development, including the history of art, the museums and the artworks of the exhibiting country.
The three messages of the exhibition:
Each person is confirmed by the pictorial recognition of the creativity of the works of art more creatively as well as in his dignity and uniqueness.
The innovative power of the population increases.
Fears fade the future opens for all people.
The exhibition will be shown in North America, South America, Asia, Africa, the Orient and Europe.
The creativity blockades can be lifted by the Código Universo. Every amoeba, every plant, every animal and every virus is, as research shows, creative (jellyfish and slipper animals can even rejuvenate their cells and theoretically live forever) only in humans should creativity be the exceptional situation.
For me, the causes of illness, death, poverty, terrorism, class and racial hatred and war lie in the coding of art and thus in the coding of access to man's natural, evolutionary, genetically programmed creativity. The lost access to one's own creativity through art encryption deprives man of his dignity making him poor, helpless, depressed, ill, lost in instinct and aggressive as well as dependent on the creativity of a few chosen or other peoples.
The research and works of art prove that new information, insights, the abolition of mystical puzzles of humanity or, in particular, the decoding of art immediately leads to new neuronal, i.e. physical networks in the brain (also through the mirror neurons in the brain) and thus directly to improved creative intelligence, personality and innovative power in the recipient or exhibition visitor.
In order to achieve a special widespread effect in the population, it is useful to solve generally known riddles through knowledge and information. Art is the best force for new information and knowledge, since 99% of the population says that it does not understand art and thus how creativity actually arises. The creativity potential of 99% of the population lies fallow. Increasing it from 1% to 2% means, theoretically measurable, more patent applications and a doubling of economic growth. The formula explains all the art in the world for every 8-year-old through its simple graphics. The greatest future potential for all people lies in the elimination of art puzzles and barriers to creativity: More ideas, economic growth and ecology as well as a healthier and longer life.
Works of art collected over thousands of years and exhibited in museums prove the statements of art historians and the correctness of the art open - Código Universo, which documents that it is the core and efficiency of art that the work itself reveals information and a contemporary document on innovations in art and art history as well as the evolution of the cultures of peoples.
Internationally renowned art historians, scientists, philosophers, museums, collectors and artists have examined the Código Universo - art open art formula (and for the 1999 exhibition in Essen, provided more than 1,000 original works of art, some of them of outstanding art historical significance, as loans free of charge (the works shown in the exhibition had a material value of several hundred million euros) - and confirmed the correctness and revolutionary art historical significance of the Código Universo through their participation in the exhibition, press conferences and their own publications.
The development of the art exhibition art open
The exhibition breaks with many taboos of the traditional and established art business.
The first evolutionary exhibition in art history was developed, organized and realized by Dieter Walter Liedtke. The first exhibition art open, took place on 10 July to 15 July 1999 in Essen (Germany) on 23,000 m2 of exhibition space: For the first time, art was deciphered by a formula that could be understood by everyone. In cooperation with international museums and collectors, original works by relevant artists from the history of painting will be exhibited, which have contributed significantly to the change of art through their innovation and have never before been shown together.
A didactic, audiovisual presentation of the art formula, documented by CD-ROM, video presentations and original works, opens access to art and innovation for everyone.
The world premiere of this revolutionary formula in the art open art exhibition in Essen for fine arts, literature, music and film, which is open 24 hours a day, was accompanied by changing art events, talk shows and art competitions as well as world premieres with a high entertainment value.
In violation of the constitution and existing laws, the exhibition was closed after five days for political motives, under flimsy justification and equally oriented press after 5 days.
- Ihre königliche Hoheit Sofia von Spanien,
- Michail Gorbatschow,
- Dr. Norbert Blüm
- Deutscher Minister
- Prof. Niklas Luhmann,
- Prof. Dr. Franz Müller-Heuser,
- Prof. Karl Ruhrberg,
- Prof. Dr. Harald Szeemann
- Dieter Walter Liedtke
- Sonderausstellung J. Miotte
- Sonderausstellungen 19. Jh. und russisches Mittelalter
- Chris Burden - Flying Steamroller 1991 - 1996
- Peter Paul Rubens - Gottvater und Sohn 1616/1617
- Kasimir Malewitsch - Rotes Quadrat 1915
- Christo - Sonderausstellung
- Wassily Kandinsky - St. Georg 1911